Kozo plays both the trumpet and the electronics, which consist almost entirely of rhythm, breakbeats, and other assorted synthesized effects. The melodic content of the music, however, is contained solely within that jazzy trumpet of Kozo's. I won't single out specific cuts because, frankly, my ability to accurately describe this music, which is so unique, would be woefully inadequate. The tempo of most songs is relaxed - nothing here will raise your blood up to more than simmer. But your libido may get a serious kick in the ass. That wailing trumpet mixes it up with those funkified rhythms and, hell, something's gotta give, right?

However, this is nothing like, for example, Richard Bone's COXA. Instead, the mood is cyber-funky as there is an air of 21st, maybe even 22nd century technology to this recording. It's this juxtaposition of Kozo's Miles-Davis-ish trumpet and the breakbeats that propels me into some Blade Runner-ish cyber wonderland, peopled by lost souls and broken dreams.